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| JOB ABILITIES INFORMATION MONK
NINJA
JOB #3 NAME HERE
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Melody Name: Glitch In The Spider-Verse
Melody Description: All nearby enemies experience painful, but very cool-looking glitching effects as the universe suddenly decides they don't belong here. All targets recieve light damage and are stunned for a turn, with the damage increasing with each level up.
Player
Name: Brush
Age: 17
Personal Journal: N/A
Contact: Discord (BrushApocalypse#7677)
Other In-Game Characters: [OU] Frisk
Character
Name: Miles Morales
Age: 13
Gender: Male
Canon: Spider-Man: Into the Spider-Verse
Canon Point: The end of the movie.
History: Wiki Entry
Personality:
Miles Morales is every inch an awkward teen, still coming into his own as he tries to fill the legacy left behind after Peter Parker's death. He'll embarrass himself trying to talk to a cute girl as a civilian, then slip and fall off a building as Spider-Man. He's doing his best, but he's been Spider-Man for about two days and there's only so much experience you can gather in that little time. While he can be relaxed and jokey around friends, that same demeanor works very poorly in more formal locales like Vision's Academy— though it didn't help to be embarrassed by his dad in front of the entire school.
He learns fast, both in academics and in superheroics, seen in, well, all throughout the film. When given a web-slinger, while he may have struggled with it at first, it only takes a couple solid instructions for him to get it down well enough to handily qualify as a natural. It's just a matter of calming down and keeping control of his powers, which he may have been confused and even scared by at first— but by the final battle with Fisk he's just as capable a fighter as the rest of the Spiders. He even manages to pull off the same complicated move to swing from the middle of the collider to the edge that the Peter of his world executed near the start of the film— having only seen it once, several days ago, and receiving zero tutelage from the Spider-Man in question.
He's idealistic and driven to carry that out to the end. When Spider-Man tells him to destroy the collider, even though he’s had his powers for all of a day and he’s scared out of his mind, he refuses to let go of that goal. Even if he slips up once or twice— if it means saving lives, he'll always get back up. Because that's what a hero does. It helps that he was raised by someone like his dad, who might be a little embarrassingly straight-laced but who's sure to keep him on the straight and narrow.
Speaking of his parents, they're clearly a loving family— even embarrassingly loving at times, at least to a teen. Miles turns to them immediately when in need of help, and it's some choice words from his father that gives him the drive to embrace his identity, to get back up again at the end.
And by far his closest relationship is his Uncle Aaron. When Miles felt like he had nowhere to go, he went to Aaron, and Aaron helped him— he encouraged his art, gave him advice, and was overall a safe space. Discovering this man he'd always looked up to was a supervillain was like having his world fall down around him, even moreso when Aaron soon died in his arms for protecting him— he may have been able to keep going with some encouragement from the other Spiders, but the wound is still fresh, and there's no way he got out of it without at least a little trauma.
Speaking of people he saw murdered, OG Spider-Man. For the longest time, Spider-Man was just a fact of life— he was too young to really remember a time before the masked vigilante arrived on the scene. He thought he was cool, and though intellectually he knew he was just as vulnerable as anyone, the idea that he could get really, seriously hurt was— weird. For a brief, brief time, both Miles and Peter had hopes that they could work together— and then he died, leaving behind an override key and a legacy, both of which Miles nearly ruined.
When he feels he's truly failed to carry out his job oftentimes he'll just give up and retreat, turning to whoever else might be able to help— whether it be just apologizing to Peter's grave or seeking out his uncle to tell him what's going on. It doesn't last long, but it has an impact, especially when his inexperience leads to him messing stuff up even more when he does get the guts to try again.
Outside of supeheroics, though, he's got a clear passion for art, custom-drawing stickers to leave around the neighborhood (and then peel off when his Dad catches him.) He's a free spirit— likely the only reason not every single wall he passes by is covered in intricately spray-painted murals is because there's like, laws against graffiti, and his dad's a cop you know? But when he gets the chance, his creativity comes out in every drop.
He can be very blunt, not shying away from honest assessments of other people or his own actions— he doesn't hesitate to call Peter B. a bad teacher or openly admit he's guilting him into saving Brooklyn. But at the same time, he’ll try and save face if he's trying to impress someone. It's all about whether he wants this person to think he's cool or not.
As the second Spider-Man of his world, he's got some big shoes to fill. While he's come to accept his position not as a carbon copy replacement of the original Spider-Man but his own person, doubts still creep in about how well he's managing it. While most of the city took to their new friendly neighborhood Spidey just fine, just a few bad apples can be more than enough to sour a good mood, and as much as he tries to avoid them the doubtful thoughts still find a way to creep in.
It's hard to get him to shut up, even quipping away in the heat of battle like any good Spider-Man. Even when he's not in a fight, he can easily get into rapid chattering from practically any emotion— flustered excuses, excited infodumping, if there's something long he has to say he'll probably say it fast and barely intelligibly.
He's well-thought-of in his neighborhood, cheerfully greeting and getting greeted by the other kids around him on his way to school in the beginning. While the exact relationships aren't really expanded on, we can get the idea he's got plenty of friends there— in contrast with Visions Academy, where he get embarrassed multiple times in front of the whole school and his attempts at socializing are brushed off. He's something of a fish out of water there, seeing it as kind of elitist even if he's more than smart enough to fit in grades-wise— he values his friends at his old school higher.
When he does feel a connection, he makes friends fast. Even though all the alternate-universe Spider-People were only together for a couple days, they parted as good friends with bonds that could reach across the multiverse. Peter B. most especially, since they knew each other the longest and he came to see Miles as something of a son-figure, with Gwen as a close follow-up as he manages to convince her to try friendship again.
Though when he initially developed his powers he found them strange and kind of terrible, once he got a handle on them he found he wasn't sure how he'd lived without the— which only makes it worse when he's brought into Vaikuntha and they're taken from him again, barely after he'd received them in the first place. His instinct is to keep his secret identity hidden, even if he is in a totally different world— though how well that turns out remains to be seen. All in all, it's just another stressful even dumped straight in his lap, and he's just got to buckle down and deal with it.
Samples:
Darth Maul TDM
Naomi TDM
Vaikuntha
Moogle Name: Peter Mogger
Moogle Gender: Male
First Job: Monk
Second Job: Ninja
Melody: Glitch in the Spiderverse. All nearby enemies experience painful, but very cool-looking glitching effects as the universe suddenly decides they don't belong here. All targets recieve light damage and are stunned for a turn, with the damage increasing with each level up.
Name: Brush
Age: 17
Personal Journal: N/A
Contact: Discord (BrushApocalypse#7677)
Other In-Game Characters: [OU] Frisk
Character
Name: Miles Morales
Age: 13
Gender: Male
Canon: Spider-Man: Into the Spider-Verse
Canon Point: The end of the movie.
History: Wiki Entry
Personality:
Miles Morales is every inch an awkward teen, still coming into his own as he tries to fill the legacy left behind after Peter Parker's death. He'll embarrass himself trying to talk to a cute girl as a civilian, then slip and fall off a building as Spider-Man. He's doing his best, but he's been Spider-Man for about two days and there's only so much experience you can gather in that little time. While he can be relaxed and jokey around friends, that same demeanor works very poorly in more formal locales like Vision's Academy— though it didn't help to be embarrassed by his dad in front of the entire school.
He learns fast, both in academics and in superheroics, seen in, well, all throughout the film. When given a web-slinger, while he may have struggled with it at first, it only takes a couple solid instructions for him to get it down well enough to handily qualify as a natural. It's just a matter of calming down and keeping control of his powers, which he may have been confused and even scared by at first— but by the final battle with Fisk he's just as capable a fighter as the rest of the Spiders. He even manages to pull off the same complicated move to swing from the middle of the collider to the edge that the Peter of his world executed near the start of the film— having only seen it once, several days ago, and receiving zero tutelage from the Spider-Man in question.
He's idealistic and driven to carry that out to the end. When Spider-Man tells him to destroy the collider, even though he’s had his powers for all of a day and he’s scared out of his mind, he refuses to let go of that goal. Even if he slips up once or twice— if it means saving lives, he'll always get back up. Because that's what a hero does. It helps that he was raised by someone like his dad, who might be a little embarrassingly straight-laced but who's sure to keep him on the straight and narrow.
Speaking of his parents, they're clearly a loving family— even embarrassingly loving at times, at least to a teen. Miles turns to them immediately when in need of help, and it's some choice words from his father that gives him the drive to embrace his identity, to get back up again at the end.
And by far his closest relationship is his Uncle Aaron. When Miles felt like he had nowhere to go, he went to Aaron, and Aaron helped him— he encouraged his art, gave him advice, and was overall a safe space. Discovering this man he'd always looked up to was a supervillain was like having his world fall down around him, even moreso when Aaron soon died in his arms for protecting him— he may have been able to keep going with some encouragement from the other Spiders, but the wound is still fresh, and there's no way he got out of it without at least a little trauma.
Speaking of people he saw murdered, OG Spider-Man. For the longest time, Spider-Man was just a fact of life— he was too young to really remember a time before the masked vigilante arrived on the scene. He thought he was cool, and though intellectually he knew he was just as vulnerable as anyone, the idea that he could get really, seriously hurt was— weird. For a brief, brief time, both Miles and Peter had hopes that they could work together— and then he died, leaving behind an override key and a legacy, both of which Miles nearly ruined.
When he feels he's truly failed to carry out his job oftentimes he'll just give up and retreat, turning to whoever else might be able to help— whether it be just apologizing to Peter's grave or seeking out his uncle to tell him what's going on. It doesn't last long, but it has an impact, especially when his inexperience leads to him messing stuff up even more when he does get the guts to try again.
Outside of supeheroics, though, he's got a clear passion for art, custom-drawing stickers to leave around the neighborhood (and then peel off when his Dad catches him.) He's a free spirit— likely the only reason not every single wall he passes by is covered in intricately spray-painted murals is because there's like, laws against graffiti, and his dad's a cop you know? But when he gets the chance, his creativity comes out in every drop.
He can be very blunt, not shying away from honest assessments of other people or his own actions— he doesn't hesitate to call Peter B. a bad teacher or openly admit he's guilting him into saving Brooklyn. But at the same time, he’ll try and save face if he's trying to impress someone. It's all about whether he wants this person to think he's cool or not.
As the second Spider-Man of his world, he's got some big shoes to fill. While he's come to accept his position not as a carbon copy replacement of the original Spider-Man but his own person, doubts still creep in about how well he's managing it. While most of the city took to their new friendly neighborhood Spidey just fine, just a few bad apples can be more than enough to sour a good mood, and as much as he tries to avoid them the doubtful thoughts still find a way to creep in.
It's hard to get him to shut up, even quipping away in the heat of battle like any good Spider-Man. Even when he's not in a fight, he can easily get into rapid chattering from practically any emotion— flustered excuses, excited infodumping, if there's something long he has to say he'll probably say it fast and barely intelligibly.
He's well-thought-of in his neighborhood, cheerfully greeting and getting greeted by the other kids around him on his way to school in the beginning. While the exact relationships aren't really expanded on, we can get the idea he's got plenty of friends there— in contrast with Visions Academy, where he get embarrassed multiple times in front of the whole school and his attempts at socializing are brushed off. He's something of a fish out of water there, seeing it as kind of elitist even if he's more than smart enough to fit in grades-wise— he values his friends at his old school higher.
When he does feel a connection, he makes friends fast. Even though all the alternate-universe Spider-People were only together for a couple days, they parted as good friends with bonds that could reach across the multiverse. Peter B. most especially, since they knew each other the longest and he came to see Miles as something of a son-figure, with Gwen as a close follow-up as he manages to convince her to try friendship again.
Though when he initially developed his powers he found them strange and kind of terrible, once he got a handle on them he found he wasn't sure how he'd lived without the— which only makes it worse when he's brought into Vaikuntha and they're taken from him again, barely after he'd received them in the first place. His instinct is to keep his secret identity hidden, even if he is in a totally different world— though how well that turns out remains to be seen. All in all, it's just another stressful even dumped straight in his lap, and he's just got to buckle down and deal with it.
Samples:
Darth Maul TDM
Naomi TDM
Vaikuntha
Moogle Name: Peter Mogger
Moogle Gender: Male
First Job: Monk
Second Job: Ninja
Melody: Glitch in the Spiderverse. All nearby enemies experience painful, but very cool-looking glitching effects as the universe suddenly decides they don't belong here. All targets recieve light damage and are stunned for a turn, with the damage increasing with each level up.
